Help & Questions Page

We have created a Help & Questions page to provide quick and easy answers to some of the questions we get asked by our competition entrants, readers and magazine contributors. This page will be populated with relevant information and will be updated regularly. You can now get some answers regarding the Sentinel Literary Quarterly writing competitions here.

The Help & Questions page is here.

Quick Update–15th June, 2014

Welcome to Sentinel Literary Quarterly. You will notice some changes to the layout of this magazine’s website. We hope this will make it easier for you to find what you want. The online contents of the new issue are currently being uploaded and will shortly become available. The print version of the new issue will be available to order from the 22nd of June through this website and via amazon.co.uk and amazon.com.

The Fiction Submissions email address which had been offline will also be restored today 15/6/2014 on our newer, more robust service. To submit your fiction, please visit the submissions page and follow the guidelines.

Sentinel Literary Quarterly Poetry Competition (February 2014) – Adjudicator’s Report

Judging the entries for this competition was both a challenge and a pleasure. There were almost three hundred poems to sift through and consider and after the first full read of them all the lingering impression I was left with was that of humility. There were many poems which didn’t make the final list which I found moving and which captured the difficulties, the frustrations, the bittersweet joys and the sorrows of being alive, of coping with society, with the self and with others, and I felt the cathartic energies stirring within a lot of these poems, reminding me of the real primary benefits of writing, which isn’t to win a competition.

 Bob-Beagrie

Having said that, I was reading them to go through a difficult process of rejection to find a shortlist of around twenty. So while the sentiments behind certain poems touched me, I was also looking for technical control, a sharpness of image, a deftness of touch in lyricism and rhythm, an awareness of and an avoidance of the hackneyed phrase or any reliance on the expected, tired clichéd image, and something else too, a reaching out to express something that is beyond the scope of ordinary language, an attempt to articulate the inexpressible, for as E.E. Cummings once said, “The poet is the priest of the invisible.”

 

I was surprised at how many of the poems contained mistakes and simple errors and thought, “If you take the time to enter a piece of work into a competition why wouldn’t you check it to make sure it’s exactly as you want it before sending it in?” Obviously they had to be set aside, along with the standard scattering of poems by those ever stubborn poets who haven’t read any, or enough, contemporary poetry and assume a poor (unintentional) parody of 18th Century Romantic verse could somehow slither through the net and claim the winning prize.  There were other pieces which showed craftsmanship but had lost their vigour in the shaping process, others which displayed a control of technique but lacked any dynamism, or which went too far in explaining how I should feel while reading the poem whereas others subtly manoeuvred me into position of understanding, of appreciation or contemplation without obvious signposting, similarly many of the poems also expressed a playfulness in terms of vocabulary, syntax, mode of address and layout, which cast their content and their subject in a new light.

 

The poems I chose for the final list all show clear control of form, all show a sharp eye for subtle nuance and concrete image, and each manage to dig away at surface appearances to present us with something fresh and surprising, even disturbing, largely through implication and suggestion. The poems given first, second and third place as well as several in the highly commended and commended all, I think, invite several readings to unpeel the layers, and there is a daring audaciousness to them which is admirable and that reminded me how writing a poem is an investigation into the limits of what it is possible to say.

 

Well done to the winners and to all those who made it onto my final shortlist (admittedly subjective though it is), my commiserations to those who just didn’t quite get in but whose work showed much promise. And thank you to Sentinel for allowing me to peer through almost three hundred keyholes at the things that make us humans tick.

 

Bob Beagrie 

 

THE COMMENDED POEMS

 

Preparation for a feast – Michelle Tan

Girl Disappearing – Jen Campbell

Sighting Grendel – Matthew Smith

Back From Egg Island – David Higgins

Along The Saxon Shore – Mike Bannister

Centipedes – Mark Totterdell

Inmate 19880 – Tessa Foley

Operation All Saints, East Norton 2014 – John Gallas

For Ages -  Angela Arnold

Bedeguar – Mark Totterdell

Above Meadowall, Night – Michael Brown

Thud – Al McClimens

 

THE HIGHLY COMMENDED POEMS

 

The Talking Cure – Angela T Carr

The Animal Trials – Penny Boxall

Harmonic Minor Ten – Mike Bannister

 

THIRD PRIZE

 

Someone – Michael Brown

 

SECOND PRIZE

 

The Well – Meghan S. Tally

 

FIRST PRIZE

 

Girl uncertain – Jen Campbell